Cynthia Back, Jurassic Coast #1, 2-block reduction woodcut, 28 1/2″ x 27 1/2″, 2017

Cynthia Back

www.cynthiaback.com

Cynthia Back is a printmaker and painter who has exhibited widely including solo exhibitions at Washington Printmakers Gallery, Washington, D.C. in 2017 and 2016, Fleisher Art Memorial, Philadelphia, PA in 2015, Pennswood Art Gallery, Newtown, PA in 2014, Galerie Pascal, Suchitoto, El Salvador in 2012, the Fireside Gallery, Main Line Unitarian Church, Devon, PA, in 2011 and at Abington Art Center, Abington, PA in 2010.
Ms. Back is the recipient of numerous awards and honors including grants from the Ludwig Vogelstein Foundation in 2009 and 2005, Puffin Foundation in 2003, Pollock-Krasner Foundation in 1996; residencies to The Nordic Artists’ Centre Dale, Norway in 2016, Women’s Studio Workshop in 2014, Blue Mountain Center in 2013, Acadia National Park in 2009; and fellowships to The Ballinglen Arts Foundation Ltd., Co. Mayo, Ireland in 1997 and 1999, Fundacion Valparaiso, Spain in 2000, Helene Wurlitzer Foundation in 2000, The Cill Rialaig Project, Co. Kerry, Ireland in 1999, and The MacDowell Colony in 1994. Her work is included in numerous private and corporate collections, including The Library of Congress, Washington, D.C., the New York Public Library, the Newark Public Library, Newark, New Jersey, the Free Library of Philadelphia, and The New-York Historical Society.

Tallmadge Doyle is a printmaker, painter and public artist. Born in New York City, she has lived and worked in Eugene, Oregon, for twenty-­five years.She received her BFA in Drawing from the Cleveland Art Institute and an MFA in Printmaking from the University of Oregon.Recent exhibitions include one person shows at Davidson Gallery, Seattle; Augen Gallery, Portland; and Schrager Clarke Gallery in Eugene. Her work is included in more than one hundred national and international exhibitions and is featured in over forty public collections in the United States and abroad.Tallmadge taught as an Adjunct Professor of printmaking and drawing at the University of Oregon for 15 years and teaches annual workshops at Sitka Center for Art and Ecology.
When Smith was accepted by the Royal College of Art in London to participate in the Post Experience Programme, which offered him the opportunity to draw from cadavers at the University of London’s School of Medicine, he worked on variations of images, including interpretative anatomical sketches of body parts. These drawings are captured in his powerful series “Silent Orators”.  Additional work on this series includes the lithographs produced in Berlin, Germany, working at the Professional Association of Berlin Artists (BBK) printmaking facilities, as well as etchings from acrylic hard grounds, and the non-toxic etching process using photopolymer film. Smith developed his “Berlin Air Lift” studies drawn in situ at Berlin’s Templehof airport, and later re-interpreted, and printed them as linear images with the photopolymer film process at Berlin’s Druckstelle Printmaking Studios. Continuing his work at BBK, Smith further developed a selection of drawings done in India and produced as lithographs.Other thematic works i.e., Smith’s etching editions of “Warrior Suit of Armor”, “The London Bagpiper” and “Italian Youth”, as well as conté crayon drawings and digital prints, represent interpretations of images captured in selected art museums abroad and in the U.S.  Currently, Smith produces drawings and prints in his printmaking studio in San Diego, California, and works periodically in professional printmaking facilities in Berlin, Germany.Smith’s prints have received juried awards, including a purchase prize by the Pasadena Art Museum for its permanent collection.  His heavily embossed etching triptych titled  ‘Ranger I,II, III’  was  on loan from the Los Angeles County Art Museum Rental Gallery  to the NASA Jet Propulsion  Lab in Pasadena California.  Smith’s work has been shown in numerous private and public solo and group juried exhibitions. His works are currently being prepared for national and international exhibitions, and for public and private galleries and collections.
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Folded Paper Boat by Florence Alfano McEwin
July 9, 2021
"Paper Boats Portfolio"

Museum of Art Fort Collins
Colorado 201 S. College Ave. Fort Collins, CO 80524

July 9 - August 15, 2021
Opening Thursday, July 8th, 2021

Artists in the Paper Boats Portfolio:

Florence Alfano McEwin, Mary Sherwood Brock, Lise R Drost, Aunna Escobedo, Beth Fein, April Flanders, Sherry Jankiewicz, Gesine Janzen, Irena Keckes, Catherine Kernan, Carolyn Liesy, Hilary Lorenz, Martyna Matusiak, Kerry McAleer-Keeler, Stephanie Mercado, Bill Pangburn, Jennifer Anderson Printz, Mumu Wang, Cathy Weiss and the artists of Mono Grafico Colectivo, including Marianne Sadowski, Kay Brown, Nguyen Ly, Don Newton, Beth Peterson, and Victor Rosas.

The Paper Boats Portfolio was sponsored by Los Angeles Printmaking as part of the 2020 SGCI conference that has now been re-scheduled for the 2023 SGCI in San Juan, Puerto Rico, with a stop visiting the Scuola Internazionale di Grafica, Venice, Italy in May, 2022.

All LA Printmaking members, both students and artist members, may join the Paper Boat Flotilla going to Venice in 2022!
Stay tuned for the CALL for ART coming in August 2021.

#PaperBoats2020 #PaperBoatsPortfolio #Paperboats2023 #LAprintmaking #PaperBoatsFlotilla

Exquisite Corpse
July 6, 2021
Exquisite Corpse is a collaborative approach to making Art first used by the Surrealists to create bizarre and intuitive writing and drawing. The LA Printmaking membership, both Student and Artist members, are invited to get creative and collaborate in this project this summer!

International Printing Museum
August 4th to September 30th
!

Members interested in this call, sign up HERE
More information on the Exquisite Corpse SUMMER Call HERE

ImMigration Project_Venice
Jan. 11, 2020

ImMigration Project at Self Help Graphics

Saturday, January 11th to February 22nd, 2020

Opening Reception, January 11th, 7PM - 9PM

Join us February 1st, 2020 from 1PM-3PM
For or a Gallery Walk through with participating artists followed by a
Panel Discussion on "Migration and Art”  with

Pavel Acevedo, Marianne Sadowski and Phumilelele Tshabalala

Included in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2023 in San Juan, Puerto Rico.

The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe!

Here is a short video clip of the first installation of ImMigration at the 2019 SGCI.

This unique collaborative art project will continue to grow and travel. Help us find the next venues! And stay posted on all the news when you follow the ImMigration project on Facebook and Instagram!

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