About

About LAPS, its members and history

The Los Angeles Printmaking Society (LAPS) is a national non-profit dedicated to the encouragement of printmaking, educating the public and promoting the interests of printmaking as an art form. We encourage students exploring printmaking media with student exhibitions and the LAPS Foundation grants. LAPS publishes a quarterly journal Interleaf as well as catalogs and posters in support of our biennial exhibition, The National. We also maintain a web site where members can exhibit their work in our web gallery and where a calendar of events can be accessed. From our website one can explore many resource links to other printmaking sites. LAPS fosters communication among artists interested in expanding the dialogue in the graphic arts.

LAPS is a member of the American Print Alliance, which also includes: Boston Printmakers, California Society of Printmakers, Conseil Quebecois de l'Estampe, Florida Printmakers Society, Honolulu Printmakers, Maryland Printmakers, Mid America Print Council, Nova Scotia Printmakers Association, Northwest Print Council, Pittsburgh Print Group, Southern Graphics Council. LAPS has had a long and illustrious history in the Los Angeles arts community. Become an active member and join the Board.

The Los Angeles Printmaking Society invites its members to join our yahoo group. This voluntary group listing will allow members to share information with each other. This forum can be used to announce personal exhibitions, upcoming workshops, presses for sale or any other projects or questions related to printmaking in Southern California. To sign up go to the following page and hit the join this group button on the right hand side of the screen. Yahoo will guide you through the process.

Ruth Weisberg works primarily in painting, drawing, printmaking and large-scale installations. Artist and professor, she is the former Dean of Fine Arts at the University of Southern California since 1995. Ruth Weisberg is represented by Jack Rutberg Fine Arts in Los Angeles. Weisberg is well known for her paintings reflecting upon the cycle of life; the continuity of generations. The artist also has long held interests in preservation, extinction and survival. Since her arrival in Los Angeles in 1969, Ruth Weisberg has been a formidable influence and mentor to decades of artists in this city and beyond. Her first major survey in Los Angeles was in 1979 at the Los Angeles Municipal Art Gallery. She was the first artist exhibited at The Women’s Building (Judy Chicago was simultaneously presented with a solo exhibition to inaugurate that venue). With more than 80 solo exhibitions and nearly 200 group exhibitions internationally, Weisberg is the first living painter to have been afforded a solo exhibition at the Norton Simon Museum of Art in 2008-2009. Weisberg also holds that distinction at The Huntington Library. Ruth Weisberg has executed many ambitious large-scale works, including the 94-foot mixed-media painting “The Scroll,” which was exhibited at the Skirball Cultural Center. She painted the 29-foot mural “New Beginnings: One Hundred Years of Jewish Immigration” as part of a commission from the UJA Federation. The mural was installed in the headquarters’ entrance in New York City. Ruth Weisberg’s work is included in the permanent collections of over 60 museums, including the Metropolitan Museum, National Gallery of Art in Washington, D.C., Whitney Museum of American Art, Portland Art Museum, Los Angeles County Museum of Art, Getty Research Institute, Norton Simon Museum, Art Institute of Chicago, Detroit Institute of Arts, Biblioteque Nationale in Paris, and the Instituto Nationale per la Grafica in Rome, among many others.
Mary Sherwood Brock was born in Washington, DC and attended the Boston Museum School and Tufts University graduating with a BFA in 1978. In 1990, she moved to Los Angeles and graduated with an MFA in painting from UCLA in 1992.She has been awarded two traveling scholarships, a Visual Artist Fellowship from the NEA, a Printmaking Fellowship and Painting award from the Artist Foundation of Massachusetts and UCLA Graduate award. She was a founding partner of the Artist Proof Cooperative Print Studio in Cambridge MA, which was honored for it’s contribution to the painterly print by the Boston Public Library in 2000 with an exhibition and catalog; “Proof in Print; a Community of Printmaking Studios”.She has exhibited her painting and prints in numerous international and national exhibitions focusing on printmaking since 1980. In recent years she has curated exhibitions researching the history of printmaking in Los Angeles. “Connections; LA Printmaking 1962-1973” at the Los Angeles Municipal Art Gallery as part of the LA Printmaking Society’s 20th National in 2010 and brought together 34 significant works from artists who came to prominence in LA in the 1960’s. In 2013, “Leonard Edmondson” she curated and wrote the catalog for a retrospective of the paintings and prints of this influential teaching artist at CSUN Art Gallery. In 2014 at the LA Print Space “the press is my paintbrush” presented work from two master print shops, both artists in their own right; John Greco of Josephine Press and Francesco Siqueiros of El Nopal Press.She has taught printmaking at the Boston Museum School, Otis College of Art and Design and Loyola Marymount University and continues her research on the impact of printmaking as an art form for the LA Printmaking Society. studiosherwood.com
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ImMigration Project_Venice
Jan. 11, 2020

ImMigration Project at Self Help Graphics

Saturday, January 11th to February 22nd, 2020

Opening Reception, January 11th, 7PM - 9PM

Join us February 1st, 2020 from 1PM-3PM
For or a Gallery Walk through with participating artists followed by a
Panel Discussion on "Migration and Art”  with

Pavel Acevedo, Marianne Sadowski and Phumilelele Tshabalala

Included in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2023 in San Juan, Puerto Rico.

The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe!

Here is a short video clip of the first installation of ImMigration at the 2019 SGCI.

This unique collaborative art project will continue to grow and travel. Help us find the next venues! And stay posted on all the news when you follow the ImMigration project on Facebook and Instagram!

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Our Supporters 

LAPS brought to you in part by
pasadenda art alliance
ifpda
dca