I choose printmaking as my primary medium. The printmaking process is reminiscent of the relationship between light and shadow. Etching and aquatint help me express my interest in light and shadow by using their rich tones of black and white. The graphic nature of black and white leads me to lines and shapes found in architectural elements. Once I eliminated color from my work, I found myself drawn to the exploration of space itself. My work became about the physicality of three dimensional space.
In order to make a print I will work from my sketches I made of ordinary people in a variety of circumstances as well as drawings from a model or some experience in my life. My prints are about feelings and states of mood, about dreams and expectations. Often I express them through the female figure. I play a roleof narrator and storyteller but I encourage the viewer to approach the piece with his or her unique experience or memory. I enjoy working with relief and intaglio technique as well as monotype. Frequently I like to combine multiple styles and methods to create my own style. Lately I have explored the art of handmade artists’ books as a flexible medium with a wide range of artistic expression and a creative way how to utilize my prints.
Join us February 1st, 2020 from 1PM-3PM For or a Gallery Walk through with participating artists followed by a Panel Discussion on "Migration and Art” with Pavel Acevedo, Marianne Sadowski and Phumilelele Tshabalala
Included in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2020 in San Juan, Puerto Rico, April 1-4, 2020.
The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe! This unique collaborative art project will continue to grow and travel. Help us find the next venues! And stay posted on all the news when you follow the ImMigration project on Facebook and Instagram!