Lorna Turner

Lorna Turner

www.lornaturner.com
Lorna Turner is a practicing artist, graphic designer and educator. 

Since graduating from the Royal College of Art in 2005, where she received her Masters in Communication Art and Design, Lorna has been collaborating in multidisciplinary design environments, from print to web to dimensional spaces. Working with start ups to established firms, Lorna offer the broad scope of marketing materials for each client and each scale of needs.

While at the RCA, Lorna organized the lecture series "It's A Man's World?" featuring dynamic female designers, architects, illustrators and theorist. Topics of discussion ranged from their ways of practicing to 'what was their biggest mistake'. In 2004, she designed the winning graphic identity for the Qatar National Museum. In that same year she collaborated with Tom Lucas to design an anti-fur campaign for the Respect for Animals Foundation. They were awarded 'Special Commendation' by the Design Against Fur jury. Her letterpress print illustrations "Blue Red Black" was featured on a cover of Design Week in support of a gallery exhibition.

Moving through the artistic process intuitively and without conscious thought, Colleen Premer taps into her artistic soul to produce balanced and harmonious compositions. This southern California printmaker is lured by the world of monotype and monoprint for the immediacy of results, but she also lends her creative hand to encaustic painting and intaglio printmaking. Colleen is highly influenced by her artist mother, Elaine Kennedy, who was an acclaimed local painter and printmaker. She was exposed to the art world at an early age through her mother’s circle of friends and the many art shows, exhibitions and gatherings they frequented together. Although Colleen has a journalism degree and an M.S. in clinical psychology, her passion for art kept tugging at her heart. She eventually discovered printmaking at the Idyllwild School of Music and the Arts. Ranging from abstracted shapes to intricate design, Colleen’s body of work takes its inspiration from observed line, shape and color. She often contrasts recognizable elements, like a spinning Ferris wheel, with shadowed spheres and elongated patterns. Her creativity doesn’t stop there! Colleen also works with chine colle, image transfer and printers inks for a multi-layered print that is steeped in meaning. Some of her more recent works have embedded excerpts of letters written by Colleen’s mother, creating timeless memories. Always pushing herself to solve a problem from a different angle, Colleen’s work reinvents the familiar to present it in a new and unusual way. Her recent Tattoo Truck linocut relief print boldly presents the cab of a big rig head on. With careful control, Colleen has carved and outlined tattooed flames licking the outer shell of the cab. Rougher cuts add dimension within the image’s background. Colleen’s inspiration largely is drawn from her attraction to the clean lines and human-like features of cars and trucks. Additionally, the methods and history of Japanese printmaking and artistry (including the culture’s unique take on tattoos) intrigue Colleen. The result is extraordinary! Ever changing, always experimenting, creating beauty out of the mundane, Colleen surprises us with a greater level of sophistication every time we see her newest works. And, we would love to share them with you!
Bill Pangburn studied fine arts at the Phillips-Universitaet, Marburg an der Lahn, Germany; Tulane University (BA), New Orleans, LA; and Pratt Institute (MFA), Brooklyn, NY.A professional artist who works in painting, printmaking, and installations, he is currently an adjunct professor for studio art at the Fashion Institute of Technology in New York and the director of the Anya and Andrew Shiva Gallery at John Jay College.
Born in Johannesburg, South Africa in 1945, Jackie Nach trained as a Graphic Artist and worked in advertising and promotional design.She immigrated to the United States in 1973, where she resumed her studies in Fine Art through Boston University and the DeCordova Museum School while freelancing as a Graphic Designer, Interior Design and Promotional Consultant.After moving to Los Angeles in 1977, she continued her studies in drawing, printmaking and photo-etching at UCLA as well as figurative and non-objective abstract expressionist painting at the Brentwood Art Center.Jackie Nach has been a guest speaker on several television art documentaries. She was Chairperson on the Board of Directors and Curator for ‘Sweet CHAIR-ity’ – Design House, the Venice Art Walk and on the Board of Directors for the Los Angeles Municipal Art Gallery at Barnsdale Park.From 1993 – 1998, she established a studio in Weston, Connecticut where she lived and taught art for five years. During that time Ms Nach was a member of the Silvermine Guild of Artists, Art/place and on the Board of Trustees of the Silvermine Guild Arts Center.In 1996 she received a ‘Women-of-South-Africa Achievement Award’ from the South African Consulate.After returning to Los Angeles in 1998, she established her studio in Santa Monica, California. She was a faculty member of the Brentwood Art Center where she introduced innovative methods of printmaking. Presently, she is a member of the Southern California chapter of the National Museum of Women in the Arts (SCC NMWA), the Southern California Women’s Caucus for Art (SCWCA), the Venice Art Walk Associates, Museum of Contemporary Art Associates (MOCAA) and Fellows of Contemporary Art (FOCA).Amongst many private collections, corporate collections include the Bank of America, Pillsbury Company and British Petroleum.
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ImMigration Project_Venice
Jan. 11, 2020

ImMigration Project at Self Help Graphics

Saturday, January 11th to February 22nd, 2020

Opening Reception, January 11th, 7PM - 9PM

Join us February 1st, 2020 from 1PM-3PM
For or a Gallery Walk through with participating artists followed by a
Panel Discussion on "Migration and Art”  with

Pavel Acevedo, Marianne Sadowski and Phumilelele Tshabalala

Included in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2020 in San Juan, Puerto Rico, April 1-4, 2020.


The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe!
This unique collaborative art project will continue to grow and travel. Help us find the next venues! And stay posted on all the news when you follow the ImMigration project on Facebook and Instagram!

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