Liz Chalfin

In order to make a print I will work from my sketches I made of ordinary people in a variety of circumstances as well as drawings from a model or some experience in my life.  My prints are about feelings and states of mood, about dreams and expectations.  Often I express them through the female figure.  I play a roleof narrator and storyteller but I encourage the viewer to approach the piece with his or her unique experience or memory. I enjoy working with relief and intaglio technique as well as monotype.  Frequently I like to combine multiple styles and methods to create my own style. Lately I have explored the art of handmade artists’ books as a flexible medium with a wide range of artistic expression and a creative way how to utilize my prints. 
Growing up in Chicago, Illinois, creativity was part of everyday life.  I have vivid  memories of asking my father to draw Mickey Mouse, or another Disney character--or anything else at all.  He was a natural artist albeit a colorblind one.  I like to think that I inherited my artistic talent from him.  Throughout childhood I was always drawing pictures, coloring, or making paper dolls.  In elementary school, my favorite assignments were the ones that included creating illustrations.  High school art introduced me to a wide array of processes: silk screen, linoleum printmaking, soap carving and copper enameling in addition to the usual drawing and painting.   In college I took classes in etching and ceramics but it was woodblock printing that captured my attention and the media to which I have devoted my talents.I am fortunate to have been able to combine my printmaking skills with an interest in costumes and textiles.  A graduate degree in European costume history combined with museum experience in non-western clothing provided me a worldwide view of the history of dress.  Recent travel to Japan has influenced my most recent prints.
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ImMigration Project_Venice
Jan. 11, 2020

ImMigration Project at Self Help Graphics

Saturday, January 11th to February 22nd, 2020

Opening Reception, January 11th, 7PM - 9PM

Join us February 1st, 2020 from 1PM-3PM
For or a Gallery Walk through with participating artists followed by a
Panel Discussion on "Migration and Art”  with

Pavel Acevedo, Marianne Sadowski and Phumilelele Tshabalala

Included in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2020 in San Juan, Puerto Rico, April 1-4, 2020.


The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe!
This unique collaborative art project will continue to grow and travel. Help us find the next venues! And stay posted on all the news when you follow the ImMigration project on Facebook and Instagram!

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