Curtis Bartone's work explores how human beings perceive, define,
and mythologize wilderness and our fragmented view of our place in the environment.
His recent pieces combine various perceptions of the natural world, ranging
from non-objective, scientific views to Judeo-Christian ideas of mankind’s
dominion over “every living thing that moveth upon the earth” to “pagan” views
of natural occurrences as codes or messages to be deciphered. Bartone fuses
Renaissance painting, 17th-century Dutch still life, 19th-century scientific illustration, literature, and collections
in natural science museums, with a contemporary aesthetic informed by
photography and mass media. His work has been shown in 21 solo exhibitions and
in more than 80 group exhibitions in several countries. He has received
numerous grants and awards, including two Illinois Arts Council Grants, and has
been awarded several residencies--most recently, the Emmanuel College Artist
Residency in Boston for the summer of 2016. There, he will be creating a suite
of etchings based on the ten plagues of Egypt. Currently, Mr. Bartone resides
in Savannah, Georgia with his wife and seven cats. He splits his time between
making prints and teaching printmaking at the Savannah College of Art and
Born in Pampa, Texas, Andis Applewhite lives and works in Houston. She is known for her screen and wood relief prints that tend toward the abstract expressionist or mini-malist styles. After graduating San Jacinto College in Pasadena, Texas, with a degree in graphic arts, Applewhite soon found her voice in printmaking. She is an elected Member of the Los Angeles Printmaking Society, California Society of Printmakers and PrintMatters Houston. Her print “No Other” is included in the CSP Centennial Book in honor of their 100th anniversary and was asked to be donated to the Library of Congress. Her work is being archived in the Artist Printmaker Research Collection, Museum of TexasTech University, Lubbock, TX. Applewhite is a founding and key board member of PrintMatters and PrintHouston.
Join us February 1st, 2020 from 1PM-3PM For or a Gallery Walk through with participating artists followed by a Panel Discussion on "Migration and Art” with Pavel Acevedo, Marianne Sadowski and Phumilelele Tshabalala
Included in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2023 in San Juan, Puerto Rico.
The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe!