Joseph Vorgity is a contemporary realist watercolorist and printmaker. His still life, landscape, and figurative subject matter are recongnized by strong flat areas of color with sharp lines to delineate shapes. Some themes are narrative, others have a surreal quality while many are created primarily for their beauty and visual impact. Some of the figurative pieces are modeled after traditional religious pictures of saints and deities while others are related to figures in Japanese woodblock prints of the early 20th century. His strongest influences come from the American Precisionist Movement, the Arts and Craft Movement, and from Japonisme. A majority of Vorgity's woodblock prints are made in the Provincetown white line style. Multi-color prints are pulled from one matrix block with a white line separating each color shape. The prints area hand rendered with watercolor giving them the visual quality of paintings. Each white line print has an anticipated edition of 50. Vorgity was introduced to the method in 1982 by Ferol Sibley Warthen, a major proponent of the technique in Provincetown. Joseph also produces traditional limited edition multi-color woodblock prints, and Japanese moku hanga woodblock prints. He studied the Japanese technique with Takuji Hamanaka, Matthew Brown, and William Paden. Having first studied advertising and illustration in his home town of Philadelphia, Vorgity moved to New York City in 1978 to attend the painting program at the School of Visual Arts. Don Nice, Don Eddy, and Elizabeth Murray were influential teachers. He holds a BFA from the School of Visual Arts and later received a Master's Degree from Fordham University. Joseph was an educator on the elementary and secondary levels for 18 years. He has also worked for the wardrobe departments of Broadway and Opera productions. He was featured in an article about his woodblock prints in the October 1999 issue of American Artist Magazine.
July 9 - August 15, 2021 Opening Thursday, July 8th, 2021
Artists in the Paper Boats Portfolio:
Florence Alfano McEwin, Mary Sherwood Brock, Lise R Drost, Aunna Escobedo, Beth Fein, April Flanders, Sherry Jankiewicz, Gesine Janzen, Irena Keckes, Catherine Kernan, Carolyn Liesy, Hilary Lorenz, Martyna Matusiak, Kerry McAleer-Keeler, Stephanie Mercado, Bill Pangburn, Jennifer Anderson Printz, Mumu Wang, Cathy Weiss and the artists of Mono Grafico Colectivo, including Marianne Sadowski, Kay Brown, Nguyen Ly, Don Newton, Beth Peterson, and Victor Rosas.
The Paper Boats Portfolio was sponsored by Los Angeles Printmaking as part of the 2020 SGCI conference that has now been re-scheduled for the 2023 SGCI in San Juan, Puerto Rico, with a stop visiting the Scuola Internazionale di Grafica, Venice, Italy in May, 2022.
All LA Printmaking members, both students and artist members, may join the Paper Boat Flotilla going to Venice in 2022! Stay tuned for the CALL for ART coming in August 2021.
Exquisite Corpse is a collaborative approach to making Art first used by the Surrealists to create bizarre and intuitive writing and drawing. The LA Printmaking membership, both Student and Artist members, are invited to get creative and collaborate in this project this summer!
Join us February 1st, 2020 from 1PM-3PM For or a Gallery Walk through with participating artists followed by a Panel Discussion on "Migration and Art” with Pavel Acevedo, Marianne Sadowski and Phumilelele Tshabalala
Included in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2023 in San Juan, Puerto Rico.
The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe!