Jean Gumpper

Dale Klein was born in Buffalo NY and spent most of her life in Upstate New York.  After 25 years as a Clinical Social Worker, she received her Bachelors Degree in Studio Art in 2006 and her MFA from Rutgers in 2010. She is now living and working in Rochester. Dale is a painter and printmaker whose primary interest is in the post-industrial landscape of the Northeast United States as a microcosm of what is happening to our country and most of the developed world.  She is interested in the concept of entropy and how it affects contemporary life. Working on the boundary of abstraction and realism, she transforms her world in order to delve into it deeper emotionally and let the viewer bring his or her preconceptions to it. Since 2006, Dale’s prints have been in numerous national juried shows and have won several prizes including the Purchase Prize at Hunterdon Museum of Art. She had solo show at the Washington Printmakers Gallery in 2012, a two-person show in Rochester in 2009 and a three-person show at Nazareth College in Rochester in 2105. She has been chosen to participate in two juried portfolios, the Syracuse University Printmaking Department MFA Portfolio and the Purdue University Portfolio, Disguise. In 2012 Dale was commissioned to create the annual patron print for the Memorial Art Gallery in Rochester and in 2015, The College at Brockport purchased a print for its new Liberal Arts Building. Her work was also selected to be in the Los Angeles Printmaking Society’s 20th annual show and she was admitted to the LA Printmaking Society. She has been awarded a residencies at the Vermont Studio Center, the Hambidge Center, and The Millay Colony. She has  taught printmaking at the Garfield Middle School in Revere, MA and printmaking, painting, and drawing at the Creative Workshop at the Memorial Art Gallery in Rochester.
Born in Redlands, California, Karen is a painter and printmaker who has worked in Los Angeles since l959. Educated at Stanford (BA 1957), Otis (MFA 1959), and UCLA (Painting 1960), her early exhibitions include “Directorʼs Choice” at the Pasadena Art Museum, selected by Thomas Leavitt; “LA and Vicinity,” Los Angeles County Museum of Art; “Current Concerns” at LAICA, curated by Walter Hopps; “Imagination” at LAICA, curated by Llyn Foulkes; “Assemblage and Collage” at LAICA, curated by Hal Glicksman; Grandview Gallery at the Womenʼs Building and “Expo/International” at the Museo del Inah, Oaxaca, Mexico. She has exhibited at the LouWe Gallery, The Brand Library, Boston University, Cal Tech, Cal State Luckman Fine Arts Gallery, Cal Poly Pomona, UC Davis, The Berkeley Art Center, Occidental College, The LA Municipal Art Gallery, The Armory Center for the Arts, the Platt Gallery, San Luis Obispo Museum of Art, and many others. In Spring of 2012, she exhibited monotypes with Linda Lyke in a two person exhibit at Century Books, Pasadena, CA. From l977 to 1997 Karen was Artist-in-Residence (CA Arts Council) and Faculty at Pacific Oaks College where she created the Childrenʼs Art Studio, a multidisciplinary teaching studio for 200 children and student-teachers. Over the years, Karen initiated and developed art programs on several campuses, including Westridge School, and Pasadena Alternative School. Among the art spaces she created, “The Art Studio” at Pacific Oaks is documented in Design Over Time (Stine 1994). Karen was included in the 2010 encyclopedia, L.A. Rising: SoCal Art before1980 (Kienholz 2010). 
The images of German-born artist Annegret Disterheft deal with the ambiguity of life. Disterheft's work has been exhibited in national and international competitions and can be found in permanent collections, including those of the Portland Art Museum, the National Museum of Women in the Arts and the Whitney.
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ImMigration Project_Venice
Jan. 11, 2020

ImMigration Project at Self Help Graphics

Saturday, January 11th to February 22nd, 2020

Opening Reception, January 11th, 7PM - 9PM

Join us February 1st, 2020 from 1PM-3PM
For or a Gallery Walk through with participating artists followed by a
Panel Discussion on "Migration and Art”  with

Pavel Acevedo, Marianne Sadowski and Phumilelele Tshabalala

Included in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2020 in San Juan, Puerto Rico, April 1-4, 2020.


The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe!
This unique collaborative art project will continue to grow and travel. Help us find the next venues! And stay posted on all the news when you follow the ImMigration project on Facebook and Instagram!

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