Night Bloom  Silkscreen

Elizabeth Brinton

http://www.ebrinton.com/mono.html

My journey into printmaking is informed by early work in the screen-printing industry. After graduating from the University of Oregon in Fine and Applied arts, I went to work at Bay Street Productions in Oregon as a color matcher and screen-printer for fine custom wallpapers. From there I’ve built a busy full time studio practice, making art daily. In addition to printmaking, I work in painting, ceramics, jewelry, fabric and combined techniques.

The ancient tradition of the print is always at the heart of the work. Now decades into this journey, the pleasure of process and a newfound freedom with materials and techniques keeps it all moving into new territory. I make prints not as copies or reproductions at all. Silkscreen yields the jazzy and juicy layers of color, and clear shapes. Intaglio and monotype renders deep blacks of varying densities and values. Chine collé provides “moving parts” in the form of favored shapes and colors. Layering of colors, use of multiple plates, evolving plates, and marks allows the medium to “talk back” at some point. I treat printmaking as an open ended and ongoing investigation into a hidden world.

Most recently I have established screen-printing courses at the Schack Art Center in Everett, Washington, and at the Kirkland Arts Center in Kirkland, Washington. In 2014 I taught a reduction screen-print workshop in Venice, Italy at the Scuola di Grafica. I worked in 2015 at the Skopelos Foundation in Greece. I am an active member of Print Arts Northwest, Seattle Print Arts, and Los Angeles Printmakers Society. Many of the hand-printed silkscreen prints are placed in national and international collections. At present my studios in Kirkland Washington, and in Downtown Los Angeles are open by appointment.

While all this history is of value, real life is lived in the joy of process, in a world of visual wonder. My mission is to continue to share it, and to live it fully every day.

Biography Conner is known for distinctive color woodcuts. Using non-endangered wood and brilliant color palettes, Conner creates conceptual woodcuts exposing the intrinsic wood grain. Conner exhibits nationally and internationally. Woodcuts are included in over fifty museum and corporate print collections in the U.S. and internationally: Museum of Fine Arts, Boston; California Palace of the Legion of Honor, San Francisco; Equitable Center, NY; Colorado Springs; Capital One Art Collection, Austin; Fidelity Investments; State Department Art in Embassies; New York Public Library; Fogg Art Museum, Harvard University; Library of Congress; List Visual Arts Center, MIT; Credit Suisse First Boston, London; Federal Reserve Bank, Richmond; University Health System, San Antonio; Ritz Carlton Hotels; and Neiman Marcus. Reviews and announcements of Conner’s publications appear in Art In Print, Art On Paper, New Art Examiner, Who's Who in American Art, and Who's Who of American Women. She collaborates with Katherine Brimberry, Flatbed Press, Austin, TX, publisher of her woodcuts; and Leslie Miller, Grenfell Press, NYC. She was born in Wilmington, NC, 1948. She received a BFA from Salem College, Winston-Salem, NC; and MFA from University of North Carolina at Chapel Hill and is Professor Emerita at University North Carolina Wilmington. She lives in Wilmington, NC.            
Clovis Blackwell is an interdisciplinary artist with expertise in screenprinting. His work explores themes of suffering, perseverance, and transformation, and is regularly exhibited in Southern California and internationally. Juried competitions and group shows includes at the Kennedy Center Terrace Gallery in Washington, D.C. and the World Financial Center Gallery in New York City. He received his BFA from San Francisco Art Institute in 1999, MFA from Azusa Pacific University in 2009, and has taught printmaking for many years. Blackwell is a juried member of both the Los Angeles Art Association and the Los Angeles Printmaking Society. He owns and operates Fleur de Boom Editions, a publisher of limited edition fine art serigraph prints. Find out more at www.clovisblackwell.com.
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ImMigration Project_Venice
Jan. 11, 2020

ImMigration Project at Self Help Graphics

Saturday, January 11th to February 22nd, 2020

Opening Reception, January 11th, 7PM - 9PM

Join us February 1st, 2020 from 1PM-3PM
For or a Gallery Walk through with participating artists followed by a
Panel Discussion on "Migration and Art”  with

Pavel Acevedo, Marianne Sadowski and Phumilelele Tshabalala

Included in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2023 in San Juan, Puerto Rico.

The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe!

Here is a short video clip of the first installation of ImMigration at the 2019 SGCI.

This unique collaborative art project will continue to grow and travel. Help us find the next venues! And stay posted on all the news when you follow the ImMigration project on Facebook and Instagram!

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