Cynthia Back is a printmaker and painter who has exhibited widely including solo exhibitions at Washington Printmakers Gallery, Washington, D.C. in 2017 and 2016, Fleisher Art Memorial, Philadelphia, PA in 2015, Pennswood Art Gallery, Newtown, PA in 2014, Galerie Pascal, Suchitoto, El Salvador in 2012, the Fireside Gallery, Main Line Unitarian Church, Devon, PA, in 2011 and at Abington Art Center, Abington, PA in 2010.Ms. Back is the recipient of numerous awards and honors including grants from the Ludwig Vogelstein Foundation in 2009 and 2005, Puffin Foundation in 2003, Pollock-Krasner Foundation in 1996; residencies to The Nordic Artists’ Centre Dale, Norway in 2016, Women’s Studio Workshop in 2014, Blue Mountain Center in 2013, Acadia National Park in 2009; and fellowships to The Ballinglen Arts Foundation Ltd., Co. Mayo, Ireland in 1997 and 1999, Fundacion Valparaiso, Spain in 2000, Helene Wurlitzer Foundation in 2000, The Cill Rialaig Project, Co. Kerry, Ireland in 1999, and The MacDowell Colony in 1994. Her work is included in numerous private and corporate collections, including The Library of Congress, Washington, D.C., the New York Public Library, the Newark Public Library, Newark, New Jersey, the Free Library of Philadelphia, and The New-York Historical Society.
Laurie Szujewska (shoe yév skä) is a printmaker, typographer, and graphic designer. She currently is making prints on a letterpress concerning shapes and color. She once worked in the printing trades and lived and played in NYC with the band members of The Chairs while creating graphics for the performing arts venue Roulette during its early years. After completing her MFA in graphic design from the Yale School of Art she moved west to California and worked as a designer and art director at Adobe Systems where she created many awarding-winning graphics and the typeface Giddyup. Abandoning computers she now makes prints using obsolete technology and often teaches at Reed College and UC Davis. Her prints and graphic work have been exhibited in various venues in Europe and the United States and are included in many Artist Book Collections at universities, libraries, and private collections.
I am continually exploring the ephemeral nature of movement, integrating
performance concepts into my visual art. The art I create is imbued
with a sense of movement - lines, form and color travel through space
trailing an invisible wake behind. My work is often not fixed in place,
which creates a John Cage quality of possibilities. Chance and change
are possible. Work can often be configured in different ways - picked up
and moved as though it were a performance that was evolving for a
Join us February 1st, 2020 from 1PM-3PM For or a Gallery Walk through with participating artists followed by a Panel Discussion on "Migration and Art” with Pavel Acevedo, Marianne Sadowski and Phumilelele Tshabalala
Included in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2020 in San Juan, Puerto Rico, April 1-4, 2020.
The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe! This unique collaborative art project will continue to grow and travel. Help us find the next venues! And stay posted on all the news when you follow the ImMigration project on Facebook and Instagram!