ORA ET LABORA 2017 Etching Plate size (each plate): 36"x24"

Curtis Bartone

https://www.curtisbartone.com

Curtis Bartone's work explores how human beings perceive, define, and mythologize wilderness and our fragmented view of our place in the environment. His recent pieces combine various perceptions of the natural world, ranging from non-objective, scientific views to Judeo-Christian ideas of mankind’s dominion over “every living thing that moveth upon the earth” to “pagan” views of natural occurrences as codes or messages to be deciphered. Bartone fuses Renaissance painting, 17th-century Dutch still life, 19th-century scientific illustration, literature, and collections in natural science museums, with a contemporary aesthetic informed by photography and mass media. His work has been shown in 21 solo exhibitions and in more than 80 group exhibitions in several countries. He has received numerous grants and awards, including two Illinois Arts Council Grants, and has been awarded several residencies--most recently, the Emmanuel College Artist Residency in Boston for the summer of 2016. There, he will be creating a suite of etchings based on the ten plagues of Egypt. Currently, Mr. Bartone resides in Savannah, Georgia with his wife and seven cats. He splits his time between making prints and teaching printmaking at the Savannah College of Art and Design.

Moving through the artistic process intuitively and without conscious thought, Colleen Premer taps into her artistic soul to produce balanced and harmonious compositions. This southern California printmaker is lured by the world of monotype and monoprint for the immediacy of results, but she also lends her creative hand to encaustic painting and intaglio printmaking. Colleen is highly influenced by her artist mother, Elaine Kennedy, who was an acclaimed local painter and printmaker. She was exposed to the art world at an early age through her mother’s circle of friends and the many art shows, exhibitions and gatherings they frequented together. Although Colleen has a journalism degree and an M.S. in clinical psychology, her passion for art kept tugging at her heart. She eventually discovered printmaking at the Idyllwild School of Music and the Arts. Ranging from abstracted shapes to intricate design, Colleen’s body of work takes its inspiration from observed line, shape and color. She often contrasts recognizable elements, like a spinning Ferris wheel, with shadowed spheres and elongated patterns. Her creativity doesn’t stop there! Colleen also works with chine colle, image transfer and printers inks for a multi-layered print that is steeped in meaning. Some of her more recent works have embedded excerpts of letters written by Colleen’s mother, creating timeless memories. Always pushing herself to solve a problem from a different angle, Colleen’s work reinvents the familiar to present it in a new and unusual way. Her recent Tattoo Truck linocut relief print boldly presents the cab of a big rig head on. With careful control, Colleen has carved and outlined tattooed flames licking the outer shell of the cab. Rougher cuts add dimension within the image’s background. Colleen’s inspiration largely is drawn from her attraction to the clean lines and human-like features of cars and trucks. Additionally, the methods and history of Japanese printmaking and artistry (including the culture’s unique take on tattoos) intrigue Colleen. The result is extraordinary! Ever changing, always experimenting, creating beauty out of the mundane, Colleen surprises us with a greater level of sophistication every time we see her newest works. And, we would love to share them with you!
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ImMigration Project_Venice
Jan. 11, 2020

ImMigration Project at Self Help Graphics

Saturday, January 11th to February 22nd, 2020

Opening Reception, January 11th, 7PM - 9PM

Join us February 1st, 2020 from 1PM-3PM
For or a Gallery Walk through with participating artists followed by a
Panel Discussion on "Migration and Art”  with

Pavel Acevedo, Marianne Sadowski and Phumilelele Tshabalala

Included in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2020 in San Juan, Puerto Rico, April 1-4, 2020.


The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe!
This unique collaborative art project will continue to grow and travel. Help us find the next venues! And stay posted on all the news when you follow the ImMigration project on Facebook and Instagram!

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