Bob began his career during the
burgeoning of the print workshops in 1970. He worked at Impressions Workshop in
Boston and at the Printshop in Amsterdam Netherlands. He earned a B.F.A. from
University of Massachusetts and M.F.A. from Syracuse University. A faculty member at the Fine Arts Work Center
in Provincetown, Mass. and member of The Boston Printmakers since 1986, his
lithographs are included in collections here and abroad. In 2009 he was the
co-winner of The Dayton Peace Museums International Peace Prize for The Arts. He
participated in the London Liberal Arts College, "Year of Subversion
Exhibition” in 2013. His essays have appeared in the Print Alliance
Journal,"Prints and Politics", Visual Overture Magazine, and the
Bangalore Review. Other writing has appeared in Literal Minded, Orange Alert,
Shine Journal, Askew Reviews, Glossolalia, Creative Writing Now, Blinking
Cursor, Bap Q, Lunarosity, Icelandic Review, Writers Billboard, First Writers
Magazine, Milspeak, Subterranean Journal, South Jersey Underground, Cavalier
Magazine, Yellow Mama, Visual Overture, Vox Poetica, Ascent Aspirations
Magazine, The Red Fez, Forum Magazine, and Spilling Ink Anthology.
Growing up in Chicago, Illinois, creativity was part of everyday life. I have vivid memories of asking my father to draw Mickey Mouse, or another Disney character--or anything else at all. He was a natural artist albeit a colorblind one. I like to think that I inherited my artistic talent from him. Throughout childhood I was always drawing pictures, coloring, or making paper dolls. In elementary school, my favorite assignments were the ones that included creating illustrations. High school art introduced me to a wide array of processes: silk screen, linoleum printmaking, soap carving and copper enameling in addition to the usual drawing and painting. In college I took classes in etching and ceramics but it was woodblock printing that captured my attention and the media to which I have devoted my talents.I am fortunate to have been able to combine my printmaking skills with an interest in costumes and textiles. A graduate degree in European costume history combined with museum experience in non-western clothing provided me a worldwide view of the history of dress. Recent travel to Japan has influenced my most recent prints.
Join us February 1st, 2020 from 1PM-3PM For or a Gallery Walk through with participating artists followed by a Panel Discussion on "Migration and Art” with Pavel Acevedo, Marianne Sadowski and Phumilelele Tshabalala
Included in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2023 in San Juan, Puerto Rico.
The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe!