Born in Johannesburg, South Africa in 1945, Jackie Nach trained as a Graphic Artist and worked in advertising and promotional design.She immigrated to the United States in 1973, where she resumed her studies in Fine Art through Boston University and the DeCordova Museum School while freelancing as a Graphic Designer, Interior Design and Promotional Consultant.After moving to Los Angeles in 1977, she continued her studies in drawing, printmaking and photo-etching at UCLA as well as figurative and non-objective abstract expressionist painting at the Brentwood Art Center.Jackie Nach has been a guest speaker on several television art documentaries. She was Chairperson on the Board of Directors and Curator for ‘Sweet CHAIR-ity’ – Design House, the Venice Art Walk and on the Board of Directors for the Los Angeles Municipal Art Gallery at Barnsdale Park.From 1993 – 1998, she established a studio in Weston, Connecticut where she lived and taught art for five years. During that time Ms Nach was a member of the Silvermine Guild of Artists, Art/place and on the Board of Trustees of the Silvermine Guild Arts Center.In 1996 she received a ‘Women-of-South-Africa Achievement Award’ from the South African Consulate.After returning to Los Angeles in 1998, she established her studio in Santa Monica, California. She was a faculty member of the Brentwood Art Center where she introduced innovative methods of printmaking. Presently, she is a member of the Southern California chapter of the National Museum of Women in the Arts (SCC NMWA), the Southern California Women’s Caucus for Art (SCWCA), the Venice Art Walk Associates, Museum of Contemporary Art Associates (MOCAA) and Fellows of Contemporary Art (FOCA).Amongst many private collections, corporate collections include the Bank of America, Pillsbury Company and British Petroleum.
Jenene Nagy is a visual artist living and working in the Inland Empire. She received her BFA from the University of Arizona in 1998 and her MFA from the University of Oregon in 2004. Nagy’s work has been exhibited nationally and internationally at venues including the Portland Art Museum, Weatherspoon Art Museum, Southern Exposure in San Francisco, Takt Kunstprojektraum in Berlin, and Samuel Freeman in Los Angeles, among others. Her work has been recognized with grants and awards from the Foundation of Contemporary Art, the Oregon Arts Commission, Colorado Creative Industries, and the Ford Family Foundation. Along with a rigorous studio practice, Nagy is one half of the curatorial team TILT Export:, an independent art initiative with no fixed location, working in partnership with a variety of venues to produce exhibitions. From 2011-12 she was the first Curator-in-Residence for Disjecta Contemporary Art Center in Portland, Oregon.Nagy's work is represented by Samuel Freeman Gallery in Los Angeles, PDX CONTEMPORARY ART in Portland and Michael Warren Contemporary in Denver.
Born in Redlands, California, Karen is a painter and printmaker who has worked in Los Angeles since l959. Educated at Stanford (BA 1957), Otis (MFA 1959), and UCLA (Painting 1960), her early exhibitions include “Directorʼs Choice” at the Pasadena Art Museum, selected by Thomas Leavitt; “LA and Vicinity,” Los Angeles County Museum of Art; “Current Concerns” at LAICA, curated by Walter Hopps; “Imagination” at LAICA, curated by Llyn Foulkes; “Assemblage and Collage” at LAICA, curated by Hal Glicksman; Grandview Gallery at the Womenʼs Building and “Expo/International” at the Museo del Inah, Oaxaca, Mexico. She has exhibited at the LouWe Gallery, The Brand Library, Boston University, Cal Tech, Cal State Luckman Fine Arts Gallery, Cal Poly Pomona, UC Davis, The Berkeley Art Center, Occidental College, The LA Municipal Art Gallery, The Armory Center for the Arts, the Platt Gallery, San Luis Obispo Museum of Art, and many others. In Spring of 2012, she exhibited monotypes with Linda Lyke in a two person exhibit at Century Books, Pasadena, CA. From l977 to 1997 Karen was Artist-in-Residence (CA Arts Council) and Faculty at Pacific Oaks College where she created the Childrenʼs Art Studio, a multidisciplinary teaching studio for 200 children and student-teachers. Over the years, Karen initiated and developed art programs on several campuses, including Westridge School, and Pasadena Alternative School. Among the art spaces she created, “The Art Studio” at Pacific Oaks is documented in Design Over Time (Stine 1994). Karen was included in the 2010 encyclopedia, L.A. Rising: SoCal Art before1980 (Kienholz 2010).